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The academic core of the First-Year Experience revolves around the First-Year Seminar—a small, interactive class where you explore special topics that interest you. Every first-year student takes a First-Year Seminar in his or her first semester at Arcadia University. Class size is limited to approximately 18-20 students. Past students have enjoyed class trips to Broadway, museums, farms, cafés, nature parks, Philadelphia, and New York. And they have studied everything from the night sky to Harry Potter to crime scene evidence to the 1960s and more.
We invite you to explore special topics that may interest you in your first semester here at Arcadia, including short sneak peak videos.
Quick Sneak Peak Videos and Course Descriptions
Throughout American history strategic nonviolence and civil disobedience have led to significant transformations in American political, economic, and social spheres. The strong force of nonviolent resistance in American culture, represented through actions such as peaceful protests and boycotts, has changed the course of American history. Civil rights and liberties often compose the platform of strategic nonviolence and civil disobedience as citizens exhibit resiliency in their efforts and motivations to change the status quo. This course will investigate why and how civil resistance works, noting both successes and failures across several decades from the Civil Rights Movement to current day. Utilizing primary and secondary sources, students will expose the role of the protester in initiating change through demonstrations, boycotts, and other nonviolent measures.
Do you wish you could apparate, play quidditch, or ride a hippogriff? In this seminar, students look at the Harry Potter books, not only as compelling stories but as an opportunity to examine their own values and notions of “right” and “wrong.” (Besides, the world isn't split into good people and Death Eaters. We've all got both light and dark inside us. What matters is the power we choose to act on. That's who we really are. —Sirius Black) (It is not our abilities that show what we truly are, it is our choices. —Albus Dumbledore)
The 1964 Civil Rights Act. The Feminine Mystique. Haight-Ashbury. Woodstock. Flower power. The Vietnam “conflict.” “The White Album.” The assassinations of JFK, RFK and MLK. The Graduate. The lunar landing. All of these are part of one of the most interesting decades in recent American history – the 1960s. The course is not simply about sex, drugs, and rock and roll. We’ll read, view, and listen to a variety of texts in art, history, film, music, politics, and science of the time in order to understand how all of these areas intersect. Each student will work extensively on an individual topic that interests him/her.
Rags to riches. Self-made millionaire. House with a white picket fence. These are all pieces of the “American dream”—that master narrative that Americans like to tell about who we are and what we believe. But there’s also a darker side to the story. Even though the American dream claims to be universal, it’s actually highly raced, classed, and gendered, and from some perspectives it even resembles a nightmare. Throughout the semester we’ll read novels and watch films that offer different perspectives on American dreams and American nightmares. As we explore the narratives articulated by everyone from the nation's founders to the stars of The Real Housewives franchise, we’ll ask what their accounts reveal about Americans and how these stories shape our sense of identity and possibility.
Why are some objects defined as art and others not? Who decides, and why does it matter? Through a combination of looking at, writing and talking about, and creating art, students in this course will explore the question “What is Art?”. Close attention will be paid to how artists, curators, and scholars have answered these and other art related questions throughout history. The course will include field trips to local galleries and museums, and will feature lectures and presentations on a wide variety of art mediums and movements. Special focus will be the mural arts/street art and photography, along with trips into Philadelphia to experience art in the city firsthand. Students can expect to gain vital skills that translate to all facets of university learning and scholarship, while being charged to express and defend their artistic points of view using visual, written, and oral means.
Do you play video games? Have you ever wanted to learn more about them, the history behind them, how they have changed society or made impacts in the culture of the United States? This course will focus on the impact that Video Games have had on our society in various aspects. We begin with a survey of the video game world and discuss its humble beginnings from Pong to Mario to Halo and Beyond. From there we will look at historical based video games and compare them to actual events in history and then also look at how popular culture has been affected by our penchant for video games. Finally we explore the cultural effects video games has had on our society from opposing viewpoints.
The power of a good story lies not only in its ability to entertain, but also in its capacity to educate. They resonate on a deeper social, cultural, political, and even personal level and leave us changed. The Hunger Games and its sequels are great examples of stories that hold greater meaning for those willing to delve a little deeper - which is exactly what this class requires of you. After critically reading the novels, you’ll begin to explore how the dystopian future that Suzanne Collins envisioned is actually a reflection of our current social reality. Through weekly themed discussions, research, critical thinking exercises, and personal exploration, we will see just what this series reveals about who we are and how we affect the world around us. Some of the topics we will discuss include: gender roles, the environment, economic disparity and global inequality, revolution, war and violence, political oppression, reality TV, consumerism, and love. Volunteer as tribute, if you dare.
Fake news. Deep fakes. Rumors, hoaxes, lies, and propaganda. It’s easier than ever to find information - and misinformation - thanks to the constant evolution of media and technology. So, how do we know what to believe? What strategies can we use to navigate the media landscape and learn about what is happening in the world around us? By studying how and why people react to and spread misinformation and by critically analyzing media coverage of current events, students will practice media and information literacy skills that they need to be savvy and well-informed citizens. Students will also examine their own relationship with the internet, social media, and news, and develop skills to be more intentional about their online behavior.
This is a discussion-based course that examines the history and complexity of hip-hop culture, its diversity, and role in social justice efforts around the world. Elements of hip-hop culture (rap, DJ, graffiti, & breakdancing) and mass media (including music, television, and film) will be used as tools to critique what we learn and communicate in our society about culture, race, social class, religion, gender, sexual orientation, and more. We will examine the influence of hip-hop culture on our critical consciousness for social change and use our individual and collective creativity to explore solutions for a more equitable society.
What is movement? What is the relationship between anatomical structure and function? How is movement acquired? What alters movement? What is physical ability and disability? This seminar introduces students to the science of movement and bioengineering as tools for analysis and adaptation. Visual observation of different kinds of human motion within varied locations and contexts serves as the framework for discussion of the individual’s, society’s and science’s approaches to the concept of physical ability. Strategies to address mismatches in physical ability and environmental demands underscores the seminar topics as students are guided toward an understanding of physically active individuals.
This course asks questions about how we think about gender. When a baby is born the first question asked is usually, “Is it a boy or a girl?” Is gender just about biology or are there other forces at play? Focusing on the U.S., we’ll explore how the idea of two “opposite” genders, each with their prescribed attributes, has been culturally enforced through marketing, media and other avenues. We’ll also look at how gender has begun to be re-defined during the last 50 years, as terms such as transgender, intersex, gender-queer, and gender-fluid have entered mainstream conversation. The course will include lots of discussion, readings, videos, guest speakers, and a field trip to downtown Philadelphia.
There's nothing wrong with feel-good Broadway-style musicals. But at its finest, theater is a serious art that provokes ambitious thinking, self-examination and social engagement. This seminar exposes students to thoughtful dramatic productions on the Arcadia campus and around Philadelphia, explores the creative process involved in staging serious drama, and examines how Philadelphia-area artists are using the stage to engage with the vital political, cultural and social questions of our time. Students attend performances, speak with theater artists, and develop critical skills for analyzing what is seen on stage.
Bring your voice to the table. Reading poems aloud, sharing original work, and learning the art of critique will allow us to share dreams and disappointments. Our seminar, based on published and unpublished poems--yours and others'--will provide an opportunity to understand poetry's role in healing, creativity, and inspiration. We'll also explore how poetry can function as a form of celebration, mourning, or social critique. No prior knowledge is necessary; this course is open to both experienced and inexperienced writers.
This course will explore the nature of gender inequality and intersectionality in two entertainment industries: film and popular music. Specifically, it will examine the power (or lack thereof) that women hold, both in front of the camera as actors and as musicians on stage, and behind the scenes as directors and producers in each medium. Specific women, who have established a powerbase in each medium will be identified, and the reasons for their success analyzed. The concept of intersectionality will also be explored, which examines inequalities originating from the interplay of race, class, gender and sexual orientation.
When Ringling Brothers announced its closure many thought that the circus was over, and perhaps traditional circus is ending but a new, exciting genre is taking its place. Contemporary circus strips away the grandeur of traditional circus and puts the raw art onto a new canvas – a theater, concert hall, converted church, even a garden. It’s an intimate, connected, intensely personal adventure for the audience that magically combines a multitude of performing arts disciplines. This course explores the rich history of circus from its origins in the rituals of primitive man through its evolution into this exhilarating new genre. We’ll investigate why contemporary circus is flourishing in other countries and why it has taken so long to pitch its tent here in America. To gain further insight into contemporary circus, students will attend local performances, meet artists working in the genre, and even try their hand at training like a circus artist.
There are leaders who inspire us to take risks, who we empower to lead us, and others who are responsible for some of the greatest atrocities in the world. What’s the difference between a good leader and a terrible one? Do Nelson Mandela and Charles Manson have any common leadership skills? Are Oprah and Margaret Thatcher cut from the same cloth? This class will explore traits-based and skills-based leadership theories and dissect the leadership resumes of some of the world’s best (and worst) leaders. From our study we will determine how to build leadership capacity … and a cult following.
In recent decades, our relationships with our canine companions have changed radically. Unlike prior generations, both dog-owners and scholars today accept that dogs possess intelligence, have emotions, and can communicate. Current studies indicate that dog-owners are generally healthier and happier than most. How do we know this? How have dogs and humans evolved together and changed each other? What are the social and psychological ramifications of living with dogs? These are just a few of the many questions we will tackle as we learn from biologists, anthropologists, psychologists, historians, ethologists, and each other about the human/canine relationship.
Why are fantastical creatures so popular, and what can a legacy of past “animal” stories illuminate about ourselves now? We’ve looked to these stories to understand animals, but can they also help us recognize what it means to be human? As a class, we’ll explore a variety of literary and artistic works: medieval beast tales, 17th and 18th-century animal satires, and recent fantasy literature (including J.K. Rowling and J.R.R. Tolkien). Our purpose will be to examine how these works present the values, challenges, and unique human experiences of their times, and how they continue to resonate with and shape contemporary culture.
Harry Potter, Frodo Baggins, and Katniss Everdeen all have one thing in common: they are all heroes, and their authors all used a theory known as the Monomyth to create their stories. Though these three heroes go on vastly different journeys, in this class we'll examine the ways in which the steps of their journeys are actually the same. This heroic structure can be applied to just about any story from ancient mythologies to the latest novel, television show, or movie to capture your interest. Through the study of mythic patterns, psychology, and even modern day theories of the heroine's journey, this class will allow you to decode the ancient structure of any story and prepare you to write your own. Anyone who ever wanted to begin understanding the way J.K. Rowling, J.R.R. Tolkien, or Suzanne Collins plotted their stories, this class is for you.
In this experiential course, one day of class each week will include participation in the Living Our Values Experience (LOVE) Pilot -- an antiracism project on campus that includes faculty, staff, undergraduate and graduate students in both racial affinity groups and multiracial working groups to address personal, interpersonal, and institutional levels of change. Students will investigate the ways that racism has a cost for everyone and questioning the idea that dismantling white supremacy is a zero sum game. Drawing on the concept of "the solidarity dividend" and moving beyond allyship as the main way of thinking of cross-racial collaboration and action, the course uses Heather McGhee's (2021) groundbreaking new book, The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together as its core text.
First Year Seminars in One Image